The first hollywood cinema movie cameras
were attached directly on to the head of its Panoramic Tripod Head
or
alternative support,
with just the crudest sort of levelling tools provided, in
the manner of the still-camera Panoramic Tripod Head of the hollywood
period. The earliest movie cinema cameras were hence resolutley static during
the course of filming, and hence the very first equipment movements were thanks
to fixing a camera on a moving truck. The original documented, well before
cinema and hollywood , of these was movie shot by
a Lumie cameraman from the rear carraige of a train departing Jerusalem
in 1896, and by 1898 there were lotsof cinema movies shot inside moving trains,
Hollywood was
beconing. Despite listed under the confusing heading of anoramas?in the sales
catalogues of the time, those movies shot immediately forward from in front
railway engine were usually referred to as hantom rides?
Sometime in 1897, Robert W. Paul had the very
first notable moving camera mount manufactured to put 1on top of|on} a Panoramic
Tripod Head, so that he could track the passing parade of Queen Victoria 's Diamond
Jubilee in unique uninterrupted cinema shot. The device had the equipment set
on a vertical axis that could be moved with a worm gear driven by cranking the
handle, so Paul placed it on public sale the next year. Films made with such a
"panning" camera were also known as anoramas?in hollywood listings of
the earliest decade of cinema.
The
standard setup for newy cinema studios in Hollywood
was provided by the studio which Georges Mi erected in May 1891. It had a glass
roof and three glass walls made after the model of large studios for static
photography, it was also fitted with flimsy cotton drapes that were stretched
below the roof to eliminate the bright ray of the sun on brilliant days. The
natural overall light devoid of real shadows that this setup delivered, and
which also happens naturally on moderately overcast days, became the standard
for cinema movie lighting in hollywood film studios for the next decade.
Unique within all the short hollywood cinema
movies priduced by the Edison studio, which
recorded pieces of the shows of variety performers for its Kinetoscope cinema
viewing devices, was The Execution of Mary, Queen of Scots. The film portrayed
a person dressed as the queen putting her head on the execution block in front
of a small gathering of bystanders in Elizabethan apparel.
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